anne carson interview

I really wanted to write a novel, you know, an Arthur Hailey novel that people would read in airports. Carson: Within my childhood, I mean, in that whole span. Carson: Based on beauty. I really think that the joy for the creator, for . I mean, there is the difficulty of elegizing a brother who had disappeared from your life long before his death. Theres so much writing in the world and a lot of it just seems like the same sentence. But I believe its left open whether she does end up there or not. Carson: I didnt know very much. CARSON: Oh, yeah. Whats the worst advice youve ever been given? DEAN: You could make a recto-verso mural. Can you link that chain for me, tell me more about how that works? When you make a thing, all the way through youre thinking, Whats to become of it? Im not the kind of person who can write a book and put it in a drawer and say, Well, thats an accomplishment. Hes dead. Trained at the University of Toronto, Carson has taught classics, comparative literature, and creative writing at universities across the United States and Canada since 1979, including McGill, Michigan, NYU, and Princeton. Carson: Im not sure. CARSON: Do you think some of that is the result of the pandemic, and just being in a closed room for months on end? made three seasons, summer . Incidental benefit of my imperfect method. Carson: Theyre at the root of things that then grew up and formed the trees where we now livetheyre fresh, the ideas still have dew on them. Her writing is a hybrid - a wayward mix of ancient and modern. Her emails came in lower case, and I was always addressed by my initials. Carson: A secretmeaning something that would make sensethe answer rather than just all these bits. Thats what pilgrims do. Red Doc by . I dont know . Mike Baretz: What kind of rules do you make up for yourself as you write? Carson: I think its partly the content of the works. Because you acquire a certain amount of craft, it allows you to do something while not revealing yourself. Not in a factory. historian Herodotus, who said that history is by far the strangest things humans do, all this asking and searching, because it doesnt give a clear or helpful account. Wachtel: At one point you ask, Why do we blush before death? I found that a surprising word. Carson: Yes, Im much more versatile with that half, for some reason. Its like doing an endless crossword puzzle but with a valuable product. It was a question about you. You just go back into these little meaningless delights of everyday life, and it makes you feel like a Buddhist. And Im a bit the same. I went, No! And they were saying, The musicians have to have this amount of light, unions. And so, even in paradise, there are unions and bureaucracy. I think I first heard about her as a professor of classics at McGill University who was writing amazing stuff, starting with her quirky academic treatise,Eros the Bittersweet, where she mixes classical philosophy with witty, ironic brilliance. Wachtel: About halfway through the book theres a line that says, Always comforting to assume there is a secret behind what torments you.. I think a lot of our ideas germinate in the car. I dont know . I was thinking more, on the floor with a glue stick. So it just puts you in this mood for the entire passage. Robert Currie: [Laughs] But anyway, I dont know if Anne agrees with me, you probably dont, but I think the reason Ive enjoyed doing [Egocircus] is because I think the loveliest thing we can do on any day is think with somebody else. But I think, again, because theres a desperation in it, theres nothing else to do. Its a fear of failure to actually sit down and make a mark. DEAN: As your new book proves, youre way more inventive than any artist I know. Then you cant lose it because it was so fun to do. Wachtel: Because in Autobiography of Red, one character says hes a skeptic and Geryon asks him, You doubt God? And he replies, More to the point, I credit God with the good sense to doubt me.. Hercules they call him in American. Having more or less fallen out of fashion lately I live as a Hyperborean (those mythical people who dwell behind the back of the north wind). I thought youd feel the opposite. Wachtel: And is it partly that they saw the world so differently, or theyre just so far away from us in time and language that we have to apprehend? Wachtel: A sense of mystery infuses Nox. Carson: Not a particular You. I used to be able to do it. CARSON: There were days I forgot to do it, cloaked in my dismal self. Theyre some of the most thoughtful pieces of literature anyones ever come up with. He looks like its just another one of those setbacks, hes going to get through it and come out to a brighter day. Carson was born on June 21, 1950, in Toronto, the second . Joan despised the line of inquiry and blocked it as long as she could.. But then I couldnt decide how to use the backs of the pages. Wachtel: You say that you didnt have much in the way of conversation with your father, but he liked numbers. DEAN: Yeah, whereas writing for me is the opposite. DEAN: How many things would it be on average per day? Copyright 2022 Interview Magazine. Yet for work so academically rigorous Carson is unafraid of the confessional mode. Carson: I think it was in a shopping mall in Hamilton, Ontario, in about 1965; I was trolling around the bookstore and for some reason they had a bilingual edition of Sapphoby Willis Barnstone, the translator and editor, with the Greek on the left, the English on the right and it just looked so fascinating I thought I should learn this. Wachtel: The Me is a kind of interesting flicker through the work. Probably took it from Sappho. Carson: Maybe. Eliot Prize. I just wanted to stuff them in my mouth. Because time changed for me. manly and reticent. DEAN: Thats impressive. i was hired to translate it so that's what i did." Its very tactile. Wachtel: But Herodotus also suggests that he as a historian didnt have to believe everything everyone reported. She tells PARUL SEHGAL about her elegy in verse for her late sibling, Michael. But thats so complicated. Carson: Not so directly as then. Carson: Rueful. Maybe I once did, at least an idea of unknowability as a divine atmosphere but I dont even know that thats solid in me any more. Let's see. Wachtel: In Fathers Old Blue Cardigan, you say, His laws were a secret. What was your father like? Ive admired Canadian poet, essayist, Greek and Latin scholar, and librettist, Anne Carson for a long time now. How long were your lists? They call the class EgoCircus, and have taught versions of it over the years, at NYU and elsewhere. Carson: I couldnt add to that one. But I thought by making these pages instead of just writing them, it helped me do that, because making is somehow . Carsons work is characterised by an ability to break open form, to question it, and to see beyond it, even as she uses it. Anne Carson: Well, before theres a text though, we do do a lot of driving around. Or, to borrow a phrase of Carsons, to watch someone undo the latches of ordinary understanding. Do you not like to be in an empty-ish space? Carson: I feel its a kind of fervour of mine to get away from whatever body of information I rest on when I give opinions. Wachtel: Do you or did you get comfort from that cardigan? How did it engage you? Never got around to volume two. Anne Carson CM is a poet, writer, translator, classicist, and lecturer who lives in Canada. Wachtel: Isnt that what the Classics, particularly Greek and Latin translation, gives you, because its so far out of yourself? At that time I was teaching a course about that sort of searching and was interested in the writings of various mystics. We did have a lot of quality time, as they say, together, perforce. In my attempt to clean up my work room yesterday, I was putting away all my notebooks. Order your copy of Brick 89 today and get to-your-door delivery! I liked doing that. I mean, if youre fascinated by it, do you stop yourself at some point, or do you go to the end of the idea? Hannah Siegel: Anne, you spoke about the women living alone in the walls and how you were really drawn to that element. Anne Carson: Yeah. But, yes, sometimes it would be preferable to dig a little more into the raw thing. I mean, theres all kinds of ways to change your thought or open your thought, but I dont think thats what Hannah was asking about. But I think hes not kidding. The room seemed to have undergone that same weirdening. CARSON: Well, thats a deflection. Anyway, I did learn it. Anne Carson: I follow the thought, whatever that thought is, through whatever story occurs to me to attach to it, but the parts that attract me are the parts that are unknown, fundamentally. I didnt want to decorate anything. CARSON: It depends on how much time you give it. I fear it. An Interview with Anne Carson and Robert Currie In Conversation with Sara Elkamel and NYU Undergraduates. As an interviewee, she was patient, prompt, and unusual. She has also published five books of interviews, most recentlyThe Best of Writers & Company (Biblioasis). I wear it in the winter. Prose, various kinds of prose and then one day messing around with the lines I worked out those couplets that are long and short alternations, which seemed to work so I went ahead with it. Why that repetition? But know it, Im not sure. Wachtel: Your latest book, Nox, is a kind of grief project, an epitaph for your brother who died in 2000. preoccupy Carsons workmysticism, antiquity, obsession, desire. When she found I was interested she offered to teach me on my lunch hour. Carson: What kind of person was she? In Spring 2020, I managed to take the last class she taught at New York Universitys Poetry MFA program, together with her partner and collaborator Robert Currie, before they retired. She can hold it if she doesnt need it. Carson: No. Carson was born on June 21, 1950, in Toronto, the second and final . The Graduate Center, CUNY 13K subscribers Anne Carson, a writer of "inscrutable brilliance" (The New York Times) who calls herself a visual rather than a verbal artist, discusses the influence. CARSON: Well, you should. So he fooled around with ways of Xeroxing to make the pages look, as you say, three-dimensional. Its subject line was: re self study, followed in the body text by (how it all begins to sound a bit false). Wachtel: And this time, you felt you could finally translate? Carson: I guess her sense of where she stands in the whole question. CARSON: In theory. What attracted you to this story? Pentheuspractically drowning in unbearable, undefined longinghas clearly captured Carson's imagination, and her conception of him stems from Euripedes' own concern for the desperation of mortals. It was a fake fur coat and Id lean into it all the time the priest was droning on. Carson: And his beauty partly consists in that. Why would he write it twice? Most recently, Ive been spending my Sign up for news, events, and exclusive content. By Sara Elkamel. Carson envisions a present-day interview with a seventh-century BC poet, and offers miniature lectures on topics as varied as orchids and Ovid. CARSON: I would say on average, 17 items. But its a funny thing about works of art. Wachtel: Did your first husband take your notebooks? Carson: I think Oscar and my dad would have admired each other as different monsters. Select from premium Anne Carroll of the highest quality. Did you enjoy this piece? My copy of Anne Carson's Plainwater is falling apart. She smelled of celery all the time. I dont know if its the Canadian winter or what, but . Carson: Probably mutual strangeness. . CARSON: I borrowed that line, too. Autobiography mixes with myth. 2. Her emails came in lower case, and I was always addressed by my initials. Order your copy of. Im still thinking about the blush. The wording is key. Anne Marie Macari. Like Euripides, Carson often explores the "unbearable," and this disposition has frequently dovetailed with her career-long obsession with human desire. Anne Carson CM (born June 21, 1950) is a Canadian poet, essayist, translator, classicist, and professor.. Carson: Largely because its the condition next to death. Are there certain aspects of the world you create that you find yourself wanting to describe more than others? 2009 toyota sienna engine toledo mass times eye web peterbilt 579 fuse panel location pictures of gout toledo mass times eye web peterbilt 579 fuse panel location pictures of gout In the conversation below, a few of the students and I talk to Carson and Currie about the color red, finding a lyric voice, their collaborative creative process, and more. Carson: I had this sense of him as a room where I was groping around, finding in the dark, here a chair, there a book, there a switch, and not getting a sense of the floor plan ever but just being in that room every day, working with it. Wachtel: You quote the seventh-century B.C.E. So she walked the interior of the monastery until she covered the distance of the pilgrimage. DEAN: Im sure your COVID diaries would be unlike anyone elses. Youre talking about blushing, youre talking about cheeks, and youre talking about wolves seeing red. I dont think I would make dinner while talking to myself as Geryon [Autobiography of Reds protagonist], or argue with Currie in the voice of Isaiah, although, that might be effective, now that I think about it. And so its just searching around in those dark subjects for whatever I can figure out to think about them. Wachtel: You mention twice in the book about this pinhead thing. It seems to me that people undertake pilgrimages because theyre stuck; theyre in some kind of situation in their life, or their mind, where they dont want to be the person they are, and they dont know how to change that unless they change everything. Id go into work mode and rip on through it. The Oxford Handbook of Greek Drama in the Americas. DEAN: It was quite frightening. Anne Carson and I first met in 1988 at a writers' workshop in Canada, and have been reading each other's work ever since. I think most writers live half lives. Wachtel: Tell me a bit more about studying Greek. Wachtel: In Plainwater, you write, I will do anything to avoid boredom. They didnt. Wachtel: I read somewhere you quote Jacques Lacan, the French psychoanalyst and philosopher, who said we dont go to poetry for wisdom but for the dismantling of wisdom. On the fourth repetition, it becomes almost a fragment itself. Robert Currie: Anne rides in the backseat by the way, with books and notebooks. A spokesperson for The Dr. Phil Show claimed Williams' decision was fueled in part by a physical altercation with one of his daughters,. Somebody would say, Oh yeah, I knew your brother in his gold-smuggling days. Well that was news to me! 5. As I was interviewing the classicist, poet, and author Anne Carson in June, 2017 via e-mail about her new translation of Bakkhai, the question-and-answer process felt like a consultation with the ancient Pythia. Its not a really upbeat passage, but I still think about it all the time. Carson: We do. You could put it in glass. Its a nice idea that theres a coherent self in each of us with a story that another person could tell but its a fiction. But there is this same energy. Anne Carson: Sara [Elkamel] asked me to read from Plainwater, but I wrote it in the 80s and I havent looked at it since. Wachtel: Some of the photos that you use are fragments, and many dont have people in them. Carson's pathbreaking translations of Ancient Greek poetry and drama, as well as her scholarship on everything from Sappho to Celan, only continue to . But a week before I was to go I got a phone call from a woman who said, You dont know me, but your brother has just died in my bathroom. And that was his wife in Copenhagen, whom hed been married to for seventeen years. But Im a bit stressed because Ive made a film for Paradise and yesterday we did our first run-through, and up went the orchestra pit lights and they bleached the film into muddiness. Canadian - Poet Born: June 21, 1950 We're talking about the struggle to drag a thought over from the mush of the unconscious into some kind of grammar, syntax, human sense; every attempt means starting over with language. And it made it seem more pointless to me, frankly. Sometimes there are rhythms and melodies even before there are words, and you have to find the words that fit into that rhythm or melody. I feel I am turning into Emily Bront, Carson writes in The Glass Essay, a poem that is as much an embodiment of Bront as it is a critical study. Carson: It was not so much grief . Carson: Yes, there was a Roman settlement on the site of what they thought was the ancient city of Troy. She is almost blindingly brilliant, both on the page and in interviews, but seems to think nothing of it. I hadnt thought of it that way. Is your writing voice the same way you think, or speak? Carson: Probably from the structure of the bilingual translation, because I spend a lot of my life looking at books with left-hand-page Greek or Latin, and right-hand-page English, and you get used to it, you get used to thinking in the little channel in between the two languages where the perfect language exists. Anne Carson (born June 21, 1950) is a Canadian poet, essayist, translator, classicist, and professor. It was such a nightmare. More Interviews. So we didnt have a lot to talk about but we made our peace with that gradually. Wachtel: And did this reflect on your own search in some way? 2)," Anne Carson depicts a soothing pastoral scene of two white horses in a fielda timeless, bucolic vignette. If you have the book, its the 14th of July. Engineers use a lot of math. Oh no, we have no way to get back to the roots; were lost in the upper branches, waving around, often hopelessly, nourishment dwindling, plans awry. I cant tolerate papal things in general. She had a little lock of his hair from when he was a baby. Classicist and poet Carson produces a scrapbooklike rendering of a lesser-known Greek tragedy. I thought he was the most interesting fellow. DEAN: And youve continued to draw since, right? How can a room change and still be the same room? . Speaking of COVID journals, a cheesy thing I started doing during the pandemic was making a gratitude list. Sara Elkamel: But when it comes to collaboration, there isnt a clear workspace, medium or tool; there isnt the notebook or the studiothe work often happens in-between places, especially when, as is the case for you two, youre already living together. I feel less self-conscious if I write something. In addition to teaching at universities across the US and Canada, she has received numerous awards for her works of poetry and prose, including Guggenheim and MacArthur Fellowships, a Lannan Literary Award, a Pushcart Prize, and the T.S. Anne Carson Design interview details: 0 interview questions and 0 interview reviews posted anonymously by Anne Carson Design interview candidates. Eleanor Wachtelis the host and co-founder of CBC RadiosWriters & Company, now in its twenty-seventh season. As she writes in her first entry: I wanted to fill my elegy with light of all kinds. Its an image of freedom; the idea of leaving your life and going on to the open road and ending up somewhere different. Wachtel: I thought the repetition might have something to do with trying to understand the revealed in repetition. 7. He says, I want to get every Me out of the way in order to start doing whatever the work will be. And that is an ongoing struggle, to get every Me out of the way. Anne gets up at eight in the morning and she writes, and then she goes swimming and then she writes, and then she comes back and writes and then she has dinner, she takes a walk, and she thinks and she writes. Youve said that the language and writings of the Ancient Greeks were at the root of things that then grew up and formed the trees where we now livetheyre fresh, the ideas still have dew on them. Is that where you see poetry heading in the twenty-first century? But I cant say I thought of it before. Love cannot alter it. When did you first try? by Anne Carson RELEASE DATE: Oct. 5, 2021. . Wachtel: And you describe how eventually you and your mother stopped talking about your brother, which you say was a relief. A dream of being asleep. CARSON: I did during COVID, and that goes back to the pointlessness. And he looks just so stalwart about it. Can you talk about their relationship, how his absence affected her? Carson: Isnt that odd? But anyhow, the verse form eventually extracted itself from my efforts and that was obviously right. Carson: He was always figuring on napkins because he was a bank manager, and I think also because he was shot down in the war and in a prison camp for some time, about a year. Carson creates a closeness between writer and subject that is so intimate it is as though they are breathing each other in and out. Carson: I wanted to eat it. But I also just like red and put it in everywhere. While Carson is best known for her studies of ancient Greek, a subject she has taught for many years she has translated many of the major Greek texts, including the poetry of Sappho and the tragedies Agamemnon, Elektra and Orestes her areas of interest have always been wide, and the connections she makes between subjects are unexpected and revelatory. Carson: Yes. and in 2000 she was awarded a MacArthur Fellowship. Carson: What is a voice? And it brought me to Mrs. Cowan. Its really hard to do that. It was a grand day when I discovered you could staple instead of gluing, that was really an advance in method. Eliot Prize for Poetry. So I came and went from rebellion but always wanted to be like my father underneath. If youre cooking, youre thinking about the idea. Indianapolis, Indiana Area. [Igor] Stravinsky and George Balanchine worked note by note through a score to the movement of a dance. She died not knowing if he was still alive. And with somebody like my brother, you really come up against that fiction. Quit, I guess, and somebody told me she ended up in Africa. The pair have also worked together on various other cross-disciplinary projects, including the design of her book Nox (New Directions, 2010) and a series of experimental performances that incorporate Carsons poetry with dance and film. Theyve taken up the ladder so he cant come up. When I was young and idolized him he was always gonehe didnt want to spend time with me, he managed to vanish. Her father had died and the family needed income so she got a job in an insurance agency as a secretary. In addition to teaching at universities across the US and Canada,she has received numerous awards for her works of poetry and prose, including Guggenheim and MacArthur Fellowships, a Lannan Literary Award, a Pushcart Prize, and the T.S. Its not the same voice from piece to piece. Wachtel: That sounds like the person who hard-won learnt that it really was a good thing. It also took Canadas Griffin Prize. Carson: Thats an Oscar Wilde moment. . The newness of the world keeps dawning on the Greeks. Carson: Herakles is that person you probably know from Saturday-morning cartoons who did the famous labours. Carson: Thats the paradox of it, isnt it? I couldnt talk about Geryon and have the audience say, Oh yes, the red guy with wings. So a lot of explanatory blah-blah-blah would have been necessary to make the fragments intelligible as such and I didnt want to do that, so I thought maybe I could do it in another form. Why did you want it to look ancient? All the years and time that had passed over him came streaming into me, all that history. Wachtel: And you say that you didnt understand your brothers decisions in those days of self-exile. Carson: I had an Oscar Wilde costume that I wore now and again for special occasions. Let anyone who finds such things credible make use of them. Or I have to say what is said, I dont have to believe it myself.. Theyre another marker of his difference. Its sequel, Red Doc>,in which place, character and form have been reshuffled, was a radical challenge to the definition of a sequel. I think thats all a big mistake, but theres so much power in believing it, and so many of the decisions of life, especially early lifewith the adolescent emotionsidentify those two, and think that the person whos beautiful is also true and the feelings that come from beauty lead you to truth. Anne Carson: No, its not nothing. Carson: Yes, we moved quite often. Wachtel: Noxitself is presented as an artefact. Anne Carson | Bookworm | KCRW Listen 30 min Bookworm Anne Carson Hosted by Michael Silverblatt Aug. 07, 1997 Books Plain Water (Knopf); Glass, Irony and God (New Directions) A truly intimate interview about the value of intelligence in the face of passion. In more recent years, Carson has collaborated with artists, and staged elaborate performances of her work. Wachtel: You mean your brother disappearing. Carson: She read usually the first chapter and then turned that page down and put them all on a shelf by the door. 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